12/22/2023 0 Comments Nell and the flaming lipsIt remains a fine showcase for a talented young singer though, and if this unlikely pairing were to team up again, it would be fascinating to hear her tackle some of her, or Coyne’s original songs. Whether this is just a one-off or the start of more regular collaborations between Nell Smith and The Flaming Lips remains to be seen. No More Shall We Part isn’t that suitable for Smith’s voice, but the closing We Know Who You Are redeems matters: it makes for a suitably contemplative and unsettling end to the album. Red Right Hand has taken on a new familiarity since being used as the theme tune to Peaky Blinders and has been covered by a multitude of artists in recent years, so its appearance on Where The Viaduct Looms doesn’t have the impact it should. Wisely, Coyne has stayed away from Cave’s more menacing murder ballads (we can only imagine how unsettling Stagger Lee would be as sung by a teenager) – Into My Arms in particular seems to have a new dimension added to it, the stately beauty of the original being transformed into a twinkly, spacey ballad. The track selection will be familiar to any casual Cave fan, with two of his best known songs, Into My Arms and Red Right Hand both featuring. Some of the covers even rival Cave’s versions for effectiveness – A Weeping Song and The Ship Song are both gorgeous renditions with Smith being perfectly backed by the Lips’ trademark woozy electronica. Girl In Amber still manages to sound impossibly sad and slightly eerie, and O Children builds steadily upwards in its intensity. Cave’s songs, usually so full of menace, mystique and melancholy, are given new light under Smith’s light, airy voice, and the fact that she was unfamiliar with the source material means that no tracks are treated with any over-reverence.Īll the covers are pretty faithful to the originals, so there shouldn’t be too much outrage from any Cave purists. It’s a concept that really shouldn’t work, but somehow does. When discussing a collaboration, Coyne suggested to Smith that they perform some Nick Cave songs – an artist 50 years her senior who she’d never heard of before. Lead singer Wayne Coyne noticed her from the crowd, befriended her family, and has acted as a musical mentor to Smith over the last few years. The seed for Where The Viaduct Looms was sown when Nell Smith went to see The Flaming Lips in Calgary dressed as a parrot. It should, therefore, come as no surprise to anyone that their latest record is a collection of Nick Cave & The Bad Seeds cover versions, with a 14-year-old girl from Leeds on lead vocals. Whether it be an album consisting of four separate CDs designed to be played simultaneously (1997’s Zaireeka), performing in a literal bubble during the Covid-19 pandemic, or recording an experimental psych-rock record with Miley Cyrus, the Oklahoma band do not stick to a predictable path. Walt Disney Theatre at Dr.It’s fair to say that The Flaming Lips do things a little bit differently to most. Watch Nell & The Flaming Lips Cover Nick Cave On Colbert The Flaming Lips Dust Off Oh My Pregnant Head In Chicago The Flaming Lips Expand North American Tour 2022 The Flaming Lips Confirm Rescheduled US Tour Dates For November 2022 The Flaming Lips Prep Yoshimi Battles The Pink Robots 20th Anniversary Box Setīorderland Festival Lineup 2022: The Flaming Lips, Portugal. The Flaming Lips - Full Performance - Live on KCRW, 2009 The Flaming Lips: Tiny Desk (Home) Concert The Flaming Lips - Live on Austin City Limits in Texas (September 21, 2004) The Flaming Lips - Oh My Pregnant Head (Chicago, IL 4-6-22) This show was originally scheduled for Apr 1, 2022.Ħ050 Universal Boulevard, Orlando, FL 32801, United States Nell & The Flaming Lips appeared as the musical guest on Tuesday night’s episode of The Late Show with Stephen Colbert.The four-plus minute performance saw the group reimagine a cover of Nick. The Flaming Lips - Hard Rock Live - Oct 14, 2022
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |